Post 170 – by Gautam Shah
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Glass has been used for Doors and Windows as translucent to transparent glazing pane, and occasionally as glossy or opaque panel. Glass has had FOUR different facets, of the day time –lit from the front or outside, and that of the night time –lit from the back or inside. These facets, offer different experiences.
DAY TIME VIEW -from outside, in early days had a grayish -metallic surface. It was a dull and muddy pane with wavy figures (due to flattening of a disc cut out of a bulb). In later periods, it had lesser impurities, fewer surface undulations, but was ground to a glossy finish. Modern glass is comparatively very glossy (unless specifically ordered or treated), which allows reflection of the surroundings and the sky. The reflectivity, with additional treatment, often excludes the interior view (mirror glass and photo framing glass). Polyester films and surface metallizing adds one-way opacity, permitting unhindered view from the other side.
DAY TIME VIEW -from inside, the glass of early days, and its later day modern version have had issues of colour coordination with other surface finishes. Both types of glass had a tinge that strongly affected the colours of the interiors. Fresco and other drawn art work could be re-calibrated, after fixing of the panes (or during re-installation later with superior glass). The ceramic or coloured stone mosaics of floors and walls, however, did not allow such corrections. Such interior colour schemes had to be pre-planned in consideration of the glass tinge. Colour coordination with window frames and members such as muntins, mullions, jambs, etc. with the metallic-grey tone of the glass was difficult.
Poor quality of glass was to an extent solved by colouring it. Pot glass had dark-colour presence that was effective when back lit very brilliantly usually after the sunset. Such intense interior illumination was not available in that age. The stained glass was comparatively light coloured but still filled the interior profusely. Later part of Gothic architecture saw the required sobering with use of grisaille painting technique, or use of the non stained cristallo glass.
In stained glass treatment the need to stretch the story board across many sections of the window was so strong that all framing and dividing members like muntins and cams were made slender, at least on the face side. These were also dissolved by colouring them with the same tone as the outlines in the picture.
Early modern-day architects had to overcome the fuzzy view through poor quality of glass. As a result small pieces of glass were used, and contrasted with the white painted mullions, muntins, jambs and rails. The typical US colonial window had subdivided glass panes which did not offer a clear or un-distorted view, so were used for illumination, and covered with translucent curtains to occlude the view. Later, at the end part of Industrial revolution period as the glass became clearer, the mullions were thinned or made of metals, This dissolved their presence.
NIGHT TIME VIEW –from outside was important to register the presence of the building. Visibility of the Churches and Cathedrals and Places at night provided an assurance of protection. The main problem was cost of illuminating the structures, whether from outside or inside. The presence of small interior light visible through a roof light, lantern window, rose window or pinnacle, was assuring. It was an economic and effective device. When windows of lighter stains and white glass became popular, it was easier to provide a visible illumination from inside.
NIGHT TIME VIEW -from inside has been a problem in the absence of street or public illumination in the vicinity of buildings. The urbanization now provides illumination to back lit the glass of the buildings. Historical monuments or modern buildings always have some background illumination. Some important buildings are specifically lit outside and from within the building to enhance the architectural quality.
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Fences are barriers to confine or exclude people or animals, to define boundaries, or to decorate. Fort walls and compound or estate walls, are solid and heavy structures, but are not considered fences. Fences are lighter and of limited height. Fences are transparent to translucent to allow unrestricted flow of vision, water and air.
Fences are nominally erected over the ground but any physical obstruction, natural or man-made can function as fencing. So a ditch or dry or water filled moats can work as a fence. Fences of vegetation such as plants, hedges, climbers, cactus and dry thorny shrubs are used in farms and fields. Timber, earth, stones, and lattices, wires and nets of metals are widely used for fencing.
The first patents on barbed wire fencing were taken out in the United States in 1867. However, it was in 1874, when its production by machines, made its use widespread. Woven wire fences and expanded metal lattices, affixed to wood, steel, or concrete posts, proved economical and durable.
Electrified fences, frequently a single strand of barbed wire, are sometimes used for temporary confinement of animals. A mild shock is given to the animal at intervals of a few seconds if it is in contact with the fence. Fence wire usually consists of two longitudinal wires twisted together to form an entwined cable and having wire barbs wound around either or both of the cable wires at regular intervals. The varieties of barbed wires are numerous, with cables being single or double, round, half-round, or flat and having a range of gauges. The twisted double wire provides extra strength and permits contraction and expansion without breakage. Barbs are diagonally cut in order to provide sharper points and they may be formed of one or two pieces (two or four points) and are generally spaced at intervals of 100 to 130 mm. 
Fences are considered as safety barricades against animals, insects, humans and vehicles. These pose Height and Width factored hazards. Barbed wire fences have straight head, inward, outward bend or double head (Y form) at the top to make the crossover difficult. Armed forces place extended coils of barbed wire loops on ground without any posts. During world war-II barbed wire fence posts were spiked to prevent air craft landing.
Ownership of a fence between two properties is matter of dispute. The person who builds the fence first, remains the owner of it, and is also responsible for its upkeep. This, however, does not prevent the neighbour to place a patch at places of break. Ownership of a fence is often marked on title deeds with horizontal ‘T’ symbol, with the leg of T shown towards and in the property of the owner. Nominally fencing wires, lattices, or the cladding is placed on the non-owners side, to enable repairs or straightening of posts as and when required.
Texturized yarn is the formation of crimp, loops, coils, or crinkles in filaments. Such changes in the physical form of a fibre affect the behaviour and hand of fabrics made from them. Hand, or handle, is a general term for the characteristics perceived by the sense of touch when a fabric is held in the hand, such as drapability, softness, elasticity, coolness or warmth, stiffness, roughness, and resilience. For continuous yarns the fibre producer may provide primary texturing treatments, followed by a secondary treatment by an intermediate processor. The textile producer treats it further, before or after the weaving. Textured yarns are synthetic filament yarns that are made bulky or stretchy by heating or other techniques. In yarns used for weaving, the warp, or lengthwise, yarns are usually made stronger, more tightly twisted, smoother, and more even, than the filling, or crosswise, weft yarns. For abraded yarns, the surfaces are roughened or cut at various intervals and given added twist, producing a hairy effect. These create air spaces in the yarns, imparting absorbency and improving ventilation. Crimping imparts waviness similar to the natural crimp of wool fibre. Curling, produces curls or loops at various intervals. Coiling adds sections that become stretchable. Such changes are set mainly set by heat application, but occasionally with chemicals. Bulk yarns are often produced by the false twist method, a continuous process in which the filament yarn is twisted and set, and then untwisted and heated again to either stabilize or destroy the twist. The stuffing box technique is often applied to materials like Nylon, where the filament is compressed in a heated tube, imparting a zigzag crimp. In the knit-de-knit process, a synthetic yarn is knitted, heat is applied to set the loops formed by knitting, and the yarn is then unravelled and lightly twisted, thus producing the desired texture in the completed fabric.
Interior Design Assist 