Post 663 –by Gautam Shah
A gap, portal or doorway, door-frame and the shutter, have an individual as well as combinative presence. Presence of one or many in physical, hyper-real or allegorical sense manifests the opening system.
Door symbolism: A symbolic door is a representation of the nominal door or its important components or essential qualities. Door symbols are abstracted as well as scaled versions. Metaphors are also used to present the physical characteristics, crucial functions, essential qualities and historical associations of the doors. Doors denote a break and so the symbolic presentations are used to indicate the breach-able points or weak spots. In electrical circuit diagrams and pipe layout drawings the door symbols are used to denote a break, open-position or a switch. In communication field a door stands for connectivity with the world so a ‘gateway’ is where traffic converges and redistributes.
A physical door requires a real gap and a real shutter. The shutters open, close or take up many intermediate positions. Physical doors, however have abstract adornments or attachments that give a deceptive character to the door and belie their reality.
A nonphysical door may not have an opening to transit, though the portals distinctively mark the place of opening. A nonphysical door could be unreal or metaphoric. Communication gateways are such doors.
Notional doors: Over the years, in our minds, a shutter has become so strongly associated as the door that its presence or even notional indication suffices for the opening to be evident. ‘A shutter like configuration, over a barrier satisfies our expectation that there is a way out or in.’ The notional or representational doors, such as the painted doors on Egyptian tomb walls do not take one anywhere, but do satisfy the spiritual needs as an entryway to the other world. Such doors, drawn or carved are of real-functional size as well as of debased scale.
A pseudo door exists with inadequate or no opening system. The door has no real gap for transit, no perceptible doorway, or there is inadequate shutter system. The prehensions for a door are at many levels including: functional, perception, size and scale. Such doors also exist without any apparent barrier system.
A virtual door does not reveal itself physically, but otherwise it is functionally as effective. Modern industrial plants, estates and institutional campuses have ‘open’ gaps or invisible doors with control systems that activate a ‘shutter’ (a control system) when required. Few make-believe door frames or markers are placed to indicate the position and presence of such monitoring devices. Metal detectors’ door frames at airports and public spaces, colour coded markings on the floors, are examples of these.
Make-believe doors are created to denote an entrance or boundary of an ethereal world. Stage side-wings become exit-entry points. An actor, to enact a departure from the realm, at a certain point on the stage, ceases to act or shows the backside of the body. Door frames standing in a wide terrain or the gate structure such as the Japanese Torii gates standing in wide stretch of water is an entrance.
Metaphoric doors: Metaphoric doors manifest through signs and symbols. Such doors may not have a functional size, scale and other physical characteristics or functional utility of a nominal door.
These allegorical forms are used to mark and enhance the essence of a door:
- variations in barriers (representing an overlap or a gap or aperture),
- a scaled or functionally sized gap,
- a passageway (indicating a pathway to or from somewhere),
- signs, symbols and graphics to mark linearity (a lead to some place),
- frames (to enclose a view and other sensual perceptions),
- miniature or micro-cosm frames around the deity.
- mythological associations with doors or openings such as: Janus -Roman, Re -Egyptian, Ganesha, Dwarpal or Kshetrapal (the Indian keepers of the gate or estate), Shen Tu and Yu Lei (Chinese guardians -two brothers of the passageway).