MASKING of OPENING PART – III – FRAMING

Post 575by Gautam Shah

.

Masking is an overlay on an opening such as a window, door or gap. The overlay could be an additional system, opportunistic exploitation of the surroundings, or an arrangement for doctoring the perception. There is an attempt to change the quality of view, such as increasing or decreasing the clarity of view; add directional emphasis, such as horizontal, vertical or some other direction and alter the proportion and scale of the view; to divide the view into smaller geometric or floral sections and to camouflage or conceal the opening itself, the shape, location or purpose.

Framed View

Framed View through Opening > Pixabay image

Masking of openings happens over the gap portion, but Framing of openings occurs on surrounding portions of the gap. Masking and framing often serve similar purposes, which are of camouflaging the shape of the opening. Shape modulation also affects the size perception. Openings gain a tectonic meaning in consonance with the site, the environment, people and other building elements. Primary framing takes place, on how an opening is composed within a barrier system.

640px-casa_do_raio_28429

Door Framing II nd Floor Balcony at Palace of Raio > Baroque era Residence at Braga, Portugal > Wikipedia image by Sara silva

Technologically shutters of doors and windows, pivoted or hinged, have been square edged. This in turn forced the shape of openings to be square edged. Doors, windows and gaps, till about pre-gothic period were overawed by the powerful geometry of the squared edges. The only option was to taper the faces of sides and bottom sill. Lintel bottom remained flat, being structurally inviolable. Occasionally stepped or layered lintels were used.

Gothic Tracery

Gothic window tracery St Mary Church, Snettisham, Norfolk, England > Flickr image by Spencer Means

Square lintels or the round arch-vault, was a necessity for massive Romanesque structures. Gothic period, however, saw some degree of liberation from the square cornered rounded arched openings, mainly due to the thinner walls and use of pointed arch. But this advent was accompanied by shutter-less fixed glass openings. The shuttered opening like doors, however continued to have squared lintel heads, framing and shutters.

640px-amiens_cathedral_029

Serrated door Framing Amiens Cathedral > Wikipedia image by Mattana

The square edge, for the first time was consciously and successfully dissolved during the Rococo period. The Rococo period had two important facets: Motifs over interior face of openings in the form of painted stucco work, and architectonic elements and sculptures over the exterior face of the opening. This integration of elements over the openings, however, never transgressed the square edges of the frame or shutter. It had to wait till Art Deco and Art Nouveau periods when few adventuresome breached the omnipresent straight lines of the openings.

501px-xdsc_7288-29-av-rapp-paris-7

Masking and Framing of Door at Art Nouveau Building from architect Jules Lavirotte Paris France Sculptures by Jean Francois Larrive 1875-1928 > Wikipedia image by Pline

The framing transformations first occurred in the print media, artwork and jewellery items like photo-pendants. Photo and painting frames continued with the squared edges on the inner face. These were of Two types: Tapered inward or outward. Over the period all forms of frames drew inspiration from each other.

1 Frames_France

Photo Frame 18 C > Wikipedia image by FA2010

2 Frame.png

Photo Frame 18 C France Wikipedia image by FA2010

8421836154_4af7982a92_z.jpg

Flickr image by Plum leaves

693px-frame_florence_dma_1985-r-336

Photo image Florence > Wikipedia image by FA2010

510px-door_frame2c_18th_century_venice2c_wood2c_polychrome_decoration_and_silvering2c_haa

Door Frame emulating the Photo Frame 18th C Venice > Wikipedia image by Hiart

Few Art Nouveau experiments altered the door frame and shutters with floral ingress. These experiments saw 3D modulation and integration of the architectonic elements along with masking and framing appendages. These were craft and technology based multi-material solutions devised along with the form of the building -in a way an integrated architectural resolution.

14908881505_947afc0c91_z

Bloomsbury Tavern Night view of windows > Flickr image by Eric Huybrechts

Openings have a dual personality, of the inside and outside, and both have been differently treated for functional, technical and scaling reasons. The framing references are different for both. On the interior face great many masking elements including soft furnishings are available to condition the view outward. The options on outer face are fewer, but major one is the day time perception of the opening, in complete contrast to inside illumination at night time.

Ney York Times Night View

New York Times Building NYC Night time > Wikipedia image by Jleon (talk)

The masking of view out or inward, is done through real or make-believe depths formed by repetition of series of identical, receding or increasing frames. Such multiple frames occur in colonnades, corridors, passages, avenues and walkways.

640px-corridors_of_mirandahouse

Corridors of Miranda House Delhi. Repeat elements framing the view >Wikipedia image by Dell335

Framing can provide its own third dimension, or the depth aspect to the opening. The depth aspect was primarily used for inducing a perspective view. Framing took advantage of depth of the massive structure, such as in Romanesque period. The sides, top and bottom edges of the openings, on both the inside and outside faces, were chamfered or cut square. The additional surfaces of intrados and extrados were articulated to not only enhance the perceptible extent of the opening, but treated with sculptural texture for adding to the extent of a visual surface. Side surfaces of the openings created a frame within frame.

..92 durch ..94 ersetzt

Pediment over openings Siracusa Cathedral Sicily Italy > Wikipedia image by pjt56—

.

 

LEGENDS of OPENINGS – 5

Post 523 by Gautam Shah

.

Doors windows, and gaps are elements of human abode in physical and metaphysical sense of living. Adage, Cliche, Proverbs, Metaphors, Epigram, Epithet Idioms, and Folklore are not simply metaphoric means of communication, but dramatize our perception of both, the form and function. Just as an opening represents duality, the experiences are also juxtaposed. We live in world cultural and personal relevance of things. We comprehend the world through such translations then their direct exposure.

Interior of one of the dwellings at the w:Gila Cliff Dwellings National Monument, New Mexico, USA Wikipedia image

Building elements like walls, columns, roofs etc. are static, and so have some degree of certainty. But doors (and openings like gaps and windows) are points of transition, and have some degree of uncertainty. The uncertainty about the door is personal, due to the dilemma to entry or exit. Windows and doors are cut into a wall, but it is their emptiness that makes the windows and doors useful” -Lao Tzu.

Srirangam Jambukeshwara Temple India Wikipedia image by Author Hari Prasad Nadig

Windows have been used for windowing (throwing away the adversaries, so that they have no chance of returning alive), and so have certainty. Doors are just for ignoramus entry or exit, a non harming and temporary situation, but need not deter any smart aleck. A door forces one to be decisive, because one must never stay put in the door itself, trouble lurks from both directions. Seating on a door threshold is considered inauspicious. ‘The doorstep is the highest of all mountains’. The bride is carried across it, because she must not be allowed to have any second thoughts.

Entrance to Monastery 1, Ratnagiri, Jajpur, Orissa, India Author Tessarman

Doors, windows and gaps are meaningless without the walls. The irresolute exit from an opening takes one to a very wild ground, but a decisive one that offers a bridgehead of hope. Such a bridgehead leads to a narrow passage with dangers of falling off it. It rarely offers option of backtracking to the reality of home. ‘One can tell the truth by standing against the door of room’, and still escape to save own-self. The door also takes one out to exploration of an illusive opportunity or intangible entity. It is said ‘look left and right before knocking on a door’, and ‘pause for moment after entering a door’. The entry through a door can be to a world of treachery and deceit, so ‘trade the tread carefully’.

Upload Wikipedia image by Author Selena N. B. H. from Fayetteville, USA

Insiders know that misfortune only come in when the door is open. ‘Even the luck stops at the door, and inquires whether prudence is within’. ‘If fortune is due, it will not break the roof or wall to arrive’. What you can inquire at a window cannot be sought at the door. It is at the door the alienation begins to manifest. When a ‘door fails to open to your knock, consider your reputation’. The key or permission to enter a door or a domain is given to a known person. To enter a premise, one needs to be consecrated by a person of authority, which means the visitor agrees to abide by the rules that prevail within. When the door was opened from within, it had the potential to lead someplace quite different.” -Laini Taylor, Daughter of Smoke & Bone.

Traveler at the cottage door by Artist Isaac van Ostade (1621–1649) Wikipedia image

Gaps in a maze can lead you from one to another in perpetuity, and so must be marked on both the faces. This is also true of internal doors, one never know, whether one is entering or leaving.

southernmost door to the dining room at the Springwood estate of Franklin D. Roosevelt. Wikipedia-Flickr image by Tim Evanson

Mystically, an open door represents good fortune, a new opening in life, or a desire to open up the feelings. A revolving door means a monotonous period ahead and a trap door predicts shocking news. A door knob means unexpected good luck, and hinges bring family problems. A locked door shows missed opportunities, denial of opportunities, or can represent ‘need to close the door over the past’.

Yueh Hai Ching Temple Wikipedia image by Author Terence Ong

A door opening outward may show that one needs to be more accessible to others. However, an inward opening door may represent the desire for inner exploration and self-discovery. For the Japanese ‘the door to happiness opens outward. A door simply imposes itself upon the room when it opens inward. Having the door open inwards has the outside intruding upon the inside’. A front door is a normal entrance, and a back door a nominal one. A house with one door is a preferred abode. Evil spirits enter the house from a back door.

Naguleswaram entrance, Jaffna, Sri Lanka Wiki-Flickr image by Author Indi Samarajiva

‘He who is outside the door has already a good part of his journey behind him. A person outside the door is more courageous than the one on inside, but we trust the later, over the former’.

“The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend.” Aldus Huxley, The Doors of Perception.

ShaniwarWada Hall Pune India Wikipedia image by Author Sivaraj D

.

MASKING of OPENINGS Part – II

Post 520  by Gautam Shah

.

640px-thumbnail

Openings are masked, framed juxtaposed, positioned, arrayed, disguised and concealed to add specific functionality. At practical level a layer directly alters the quality of the opening, but at metaphoric level it changes the meaning of the opening. The abstract modifiers include the vista effects of the openings.

Lattice mask over opening >> Lavatory at Seonamsa is a Korean Seonam Buddhist temple on the eastern slope at the west end of Mount Jogye > Wikipedia image by Author Steve46814

Openings masked by Cement concrete Lattice > High Court Building Chandigadh India by Le Corbusier Wikipedia image by Author Sanyam Bahga

Openings are masked to doctor the view to the outside or inside. It could be as an overlay to change the quality of view, to shape the view to horizontal, vertical or some other emphasis, to proportion and scale the view, to divide the view into smaller sections and to occlude or filter the view. Openings are masked to regulate the transitions occurring through it of people, goods, air, moisture, illumination, noise, etc. Openings are masked to adjust their dissimilar colour, texture, etc. from surrounding elements.

Gothic window tracery, the Church of St Mary, Snettisham, Norfolk, England FLICKR image by Spencer Means

burgos-82612_640

Openings are ‘masked’ through means of disguise for altering or concealing their true form, function and location. Masking for styling with forms, patterns or motifs is common in articulated architectures. Openings are potential points of unauthorized entry-exit and so need to be masked with electronic surveillance. ‘Masking of opening’ is also done by contextual placement of architectural and other elements. These elements physically and metaphorically act as a reference to denote not only the holistic perception of the opening, but transitions through the openings.

rome-2093600_640

Openings have a dual personality of inside and outside phase, and nominal masking can also occur on one or both the phases. Masking systems, however, do take advantage of the third dimension, or the depth aspect of the openings. The depth aspect induces a perspective view, where the sides are also visible, adding to the extent of a visual surface, and creating a frame within frame view. This effect is enhanced by chamferring the sides and top-bottom. The chamferring increases the view of exterior from inside, and if on inside face it adds to perceptual illumination.

640px-View_after_ascending_the_Harvard_Steps_-_the_classroom_block_of_old_campus_can_be_seen

Opening masking systems are used to frame and overlay the view. Traceries have been used in Gothic windows. Torans have been used in Indian doors. Grills are used to impose patterns on the view. Translucent curtains are used to tone the level of brightness. In future, perhaps a video screen will not only project the external view, but suitably change the hue and tone quality. Modern surveillance tools are intervening controllers, but could also be made energy adding-subtracting devices to modify the environment.

ohio-statehouse-1937448_640

The openings gain a tectonic meaning by their size, relative proportion to surrounding architectural features, colour, texture, shadows, contrasts, manners of arraying, repeated motifs or features, placement or siting, position (horizontal-vertical) and location. As an architectural composition the opening flourishes in consonance with the site, the environment, people and other building elements. Somewhere the differentiated meaning of outside versus inside begins to dissolve through visual and other perceptual reflections. The physical means of masking are giving way to energy induced effects.

italy-949936_640

.

LEGENDS of OPENINGS – 4

Post 495  by Gautam Shah

.

A front door is a normal entrance and opportunities arrive from it, but a back door is a nominal exit for the luck to run out. A locked front door means missing the opportunities, but an open backdoor mean someone is stealing your secrets. Front doors have protective deities (dwarpal-Hindi), so evil spirits know that this has many possibilities. Back doors do not need a door-guardian, as gossip mongers, never leave it alone, even for a while. Gods may close one door to open another. In Hindi it is said ‘Khuda chappar fadake deta hai’ meaning ‘if God is willing, gives by breaking the roof’. So God does not need an open door invitation to come to your place, but Christ expects, ‘I am the door,’ and ‘no one comes to the Father but through Me.’

Wayna Picchu viewed from Machu Picchu’s access gate > Wikipedia Author Martin St-Amant (S23678)

A door involves a change of state. It offers hope, new life or fresh beginning from the wilderness, but may take one into an unfamiliar realm. On entering a door one achieves a communion with the creator, but most spiritual leaders had to go out of it for the Nirvana. At mundane level, the door illuminates and ventilates a space. It provides visual engagement, but also causes social interference, intrusions, acoustical disturbance and penetration of pollutants.

Mahadeva Temple at Itagi (or Ittagi) in the Koppal district of Karnataka state, India from Wikipedia Author Dineshkannambadi

 A door leads from one space to another space. It should have dual expression of the interior as well as the exterior. The closed or false door of the burial chamber has a hypothetical reality of another world. The exterior or beyond the false door, life manifests as supernatural, unpredictable, full of dilemmas. And to contrast it the chamber interior is made with rich ways of life, virtues, good manners, exemplary behaviour and abundance. Temples and other religious places have elaborate door faces. The doors’ motifs, each represents a microcosm of divine life. There are doors within portals, where one can enter, but unlikely to escape.

828px-Hamilton_Hotel_-_3rd_floor_corridor_-_Portland_OregonIn real buildings a door leads you to other doors. But such halls or vestibules can have few doors leading out. Corridors offer long rows of doors. The doors in corridors, unlike their counterpart in halls, always remain closed, and are full of intrigue and enemies lurking behind. That is the reason why Romans expected every honourable citizen to keep the doors open. An open street door showed a willingness to serve the community participate fully in political and social life. A place of concealment was a place of potential revolution. To keep the doors open and still have some visual privacy the doors were buffered with depth, fauces and atrium. The family members, neighbours and other regular visitors however, used a simpler side or back door set flush with the street, but left ajar. The front entrance door was a decorative entryway flanked by half columns or pilasters to create a picture-like frame. It was without a guard, except drawn or a mosaic motif of a dog.In Roman culture, the front door was always open to a stranger and community but to understand and be treated equal to the family, one had to approach from other means’.

The exterior of the domus depicting the entrance with ostium > Wikipedia by Author Stepan Bakalovich

Early doors were pivoted, and usually without a door frame. The architectural masonry sides provided a portal like framing. This masonry framing acted as a stopper for the pivoted shutter with opening inward or outward. But a door opening outward or inward, has been judged differently. A door opening outward may show that one needs to be more accessible to others. However, an inward opening door may represent the desire for inner exploration and self-discovery. Roman houses had doors that opened inward. Roman society permitted only rare individuals of high honour to have doors that opened out on to the Street. Plutarch wrote that the Romans complimented Marcus Valorous, a founder of the Roman Republic, was allowed a house with doors opening outwards as perpetual recognition of his merit.

Drawing of a typical roman atrium house. From Wikipedia by Author Tobias Langhammer

For the Japanese, ‘the door to happiness opens outward. A door simply imposes itself upon the room when it opens inward. Having the door open inwards has the outside intruding upon the inside’. Feudal schools of etiquette prescribe all kinds of norms for opening a door and coming into a room. Sukisha, well-bred people use the hand, nearest the door to open it a few inches (the length of a forefinger, to be exact) and then switch hands to slide it back the rest of the way. A man is judged by how he opens a door and a woman by how she shuts. This is so because in a room with a group of men, a woman served the food and take a leave. A woman would be observed closing the door behind her with grace. The balanced and graceful action of folding down on one’s knees on the floor, moving into a room, keeping at a level equal to others already in the room, were part of larger ceremony. The skills of opening and closing a sliding Japanese doors are part of reishiki, proper form or etiquette.

5 Uhr-Tee in Japan! In feierlicher Zeremonie wird dem Gastgeber ein Teepäckchen überreicht, welcher von dem Hausherrn äusserst geschmackvoll eigenhändig zubereitet wird.

There have been doors that have defied the explicit facility of inward-outward opening. The sliding doors did not impinge the exterior or interior space, nor did they force a person to move backward. The saloon or bar-doors were half shutters, moving both-ways. In US the revolving doors were marketed with a lot of hype, as ‘doors that always remain closed’.

.

FRAMING of OPENINGS

Post 490  –by Gautam Shah

.

512px-Akbar's_Tomb_at_Sikandra

Openings systems like gaps, doors, and windows are see-through entities. These are transit routes for many purposes. The openings are framed and masked with supplementary elements to doctor the transition taking place. The transitions to be proctored are two-way of people, other beings, goods, illumination, view, privacy, air-ventilation, moisture, rains, snow, dust, smell, noise, etc. Other purposes include, imposition of patterns, grids, proportions, contrasts, styles, make or break monotony of compositions, create or diffuse focuses.

Corner point view from Flatiron Building NY > Wikipedia pic by Author : nautical2k

cathedral-2425336_1280

Framing is distinct from Masking of openings, though at some level they assimilate to serve the similar purposes. Framing is an obvious characteristic of an opening. Openings have their sides and mid members within the view cone depending on the point of observation. In high-rise buildings where an exterior surface is formed of many and extensive windows framing of openings in a coordinated grid and may follow the discipline of the structure, or ignore it, and mount a false facade.

Gate d’Amboise in the Old town of Rhodes, Greece >Pic Author : Bernard Gagnon Wikipedia

The main gate, Schloss Belvedere, Vienna

An opening or a gap, be it a natural one or formed into built-form, has an implicit frame. The frame is defined by the strong surroundings, and through the depth of the gap or passage. For framing, natural openings have only sides and no head, but in built form openings, the head and threshold, both are as essential as the sides. Framing delineates an opening. Gates have dominant bastions to frame its importance. Egyptian temple doors have abutting pylons. Gothic doors are framed with several layers of receding serrations. The frame not only delineates an opening but enhances its size manifold. Fatehpur Sikri Mosque, India, has a real entry door of human scale, but that has been framed by very large portal. Architraves, borders, trims, casings, beading and masonry elements such as pilasters are used to reinforce the framing.

Buland Darwaza gate to Jami mosque, Fatehpur Sikiri, India. Pic Author: Marcin Bialek Wikipedia

asia-2215357_1280

Framing effect of opening is enhanced by highlighting the depth-sides. The sides are fluted, serrated or panelled, vaulted or chamfered to increase the surface area. The opening structures such as the frame are placed either on outside or inside the edge to increase the effect of bounding. The exterior niches get enhanced due to deeper shadows in locations where Sun is usually bright. Interior bays must be matched with interior space making elements. Strong interior bay of openings disturb the wall mural painting. Interior alcoves in clerestory openings are not preferred as these arrangement forms highly articulated an interior surface, often diffusing the importance of architectural elements like domes, vaults, etc.

windows-red-medieval-buildings

Windows of Secretariat Building Le Corbusier Chandigarh India

Openings are framed to capture, enhance or specify a view, both outside and inside. The framing here works like a mask to mould the view. Nominally a landscape has three horizontal segments, consisting of view down of terrain, straight taking in the horizon and upwards capturing the sky. These three are modelled in the opening gap by way of actual framing or metaphoric clues. View-out presents a wide spectrum, and to model it from an interior focal point is difficult for modelling or framing, however view-in a fixed and narrow scene, framing is easier, provided in-view is brighter like of Chowk or courtyard.

Inside the 360 Restaurant in the CN Tower Wikipedia

Jeronimos Monastery Lisbon Portugal

.

LEGENDS of OPENINGS -3 Door and the Sun

Post 481  by Gautam Shah

.

Sun Temple

The Door and the Sun are omnipresent in this world. The Sun relates to the horizon, from where it appears. And the Door in spite of its portal of sides and threshold is held by the lintel head. The skyline is a reachable limit, but the lintel head makes a door godly or human. For Gods, the threshold is inessential but for mortals it is ubiquitous hurdle and challenge. The sun rises at the edge of the earth, at different points and time, but its reincarnation is inevitable, yet reassuring. Mystically the sun opens the door with a new day of changed fortunes.

Helios Greek God on Chariot (Greco-Roman mythology) NW pediment of temple of Athena in Ilion (Troy)

The sun takes many forms of travel across the sky, some realistic and other symbolic. Sun flies like an eagle, swims like a crocodile, drifts like a tortoise, ride a regal chariot with seven horses, floats with a boat or glides on the light rays. The sun’s passage has also been represented through flying, moving and rotating objects such as the wheel or dharma chakra, flag, toran, festoons, light mobile objects and shiny metal spirals. The sun’s rises in distant hills, ocean or landmarks but its arrival is celebrated as a passage through some built-forms such as an opening, gate, portal, arch, door, a colonnade of pillars or obelisks.

amaterasu_cave_edit2

Japanese Sun Goddess Amaterasu emerging from a cave or opening bringing out sunlight back to Universe

aten_disk

Pharaoh Akhenaten and family worshiping the opening, the Aten with rays emanating from the solar disk

The Chariot of Greek solar deity Helios

Helios, a Greek solar deity drove a fiery chariot through the heaven by day, but at night floated back across the ocean in a golden bowl. The Egyptian Ra. swept across the sky in the sun-boat. The Japanese Sun, the king of nature comes like a bird, and roots over the bent beams of the Tori gate.

Shimogamo Jinja no Tori

Early Egyptian places of worship were entered through a cleavage formed by parallel pylons. It had set of shuttered doors at the bottom, just of height to conceal the magical ceremony preparations. The lower shuttered portion was for the mortals, but upper section was left open for the Sun god to enter. Ordinary mortals need a threshold, a mark of opening, but an ethereal god like Sun or Ra. needs no threshold. The god Ra. enters from high up so required no lintel or door head.

Ra in his solar boat

Egyptian’s temples and tombs had two openings: the East and the West one. The East door was real, for the dead body and soul to arrive. But the West door was a false or make-believe entity, known as ‘Ka door’. It allowed the Ka (the soul) to pass through onto an eternal journey. The False door was not a replica of the real door, but a metaphoric presentation of exit or departure. It had an offering niche, for real and imitative offerings, a stela with hieroglyphic inscriptions that contained the wishes for the afterlife and prayers or entreaty. It was a threshold between the world of the living and the dead.

Stele_or_False_Door_to_a_Tomb_by_Boston_Public_Library

False Door

Peruvian people, believe in a prophesy that God will appear in the light ship through the portal called ‘Gate of the God. It is a gateway to the lands of the Gods. The legend tells about heroes who had gone through it for a new life of immortality, and occasionally return to check the affairs of the kingdom.

peruvi1

Peru Door of the God

The idea of return fills the mortals with hopes. A door is duality of two heads of Janus (the God of doors), as that of Sun and Moon. A door is as much for departure, as for return, or as in Sanskrit for Aagaman and Nirgaman. But life after death is uncertain, so complete your home duties before you step out and accomplish your tasks before you step in the door. Christ says ’small is the gate and narrow the road that leads to life, and only a few find it’ (Matthew 7:14).

Inspiration for Mid Lands

Author J.R.R. Tolkien (of Hobbit, 37, Lord of the Rings and Silmarillion) talks of Door of Night and Door of the Day.

The Sun was to pass through the Door of Night as it travelled above Arda. When the Sun passed through the Door, night would fall upon Middle-earth. The Moon would then rise from its resting place and continue on its path over the Earth. The Sun would traverse the border of the Wall of the World, re-entering the world in the East, at the Gates of Morning. At the same time the Moon would be sinking in the West and a new day would begin’.

Gateway of the Sun from the Tiwanku civilization in Bolivia (restored version)

Rear view 1903

Sun God Image over Door Head

Dharma Chakra Sanchi India

A high level object reveals the arrival of sun. It could be a dynamic object flying in the air and scintillating in the golden dawn, or static, gilded and decorated door head. The moving Dharma-Chakra of the Buddhist temples and stupas and over a Stambha -pillar had this purpose. Sun rays also shined the metal-clad tops of tall obelisks. It also lit up the moving flags, torans and festoons. The door heads had Sun, symbolically as eagles, rayed globe or heads. A Canton tomb door head is sculpted with the sun rising from the clouds. A falcon headed sun god Horus, after a battle with darkness took the shape of a human-headed lion, the sphinx or ‘sun on the horizon.’

Egypte_louvre_091_faucon

 .

LEGENDS of OPENINGS -2 God of doors -JANUS

Post 457 –by Gautam Shah

.

Janus-VaticanIn Roman mythology, Janus was the god of gates, doors, doorways, beginnings, and endings. Janus symbolized change and transitions such as: the progression of past to future, of one condition to another, of one vision to another, and of one universe to another. He represented the middle ground between barbarity and civilization, rural country and urban cities, and youth and adulthood. He was worshipped at the beginnings of all events like planting and harvesting, births, marriages, etc. The cult of Janus dates back to a period even before founding of Rome. Janus has no equivalent god in Greek mythology. The oldest lists of Roman gods began with Janus. He was surnamed ‘divom deus’, an ancient Latin form meaning ‘the god’s god’. Lord Ganesh, elephant headed God of Indian mythology has many similarities with Janus. Ganesh is the presiding deity, and first to be invoked in all ceremonies. Presence of Ganesh is considered auspicious for all beginnings and is symbolically represented at the door-head. Ganesh is called Devadhi-Dev or God of the gods.janus-91

Ganesha_statue,_Asian_Civilisations_Museum_Singapore_-_20061231Rome had many freestanding ceremonial gates (‘jani’) that were marks of auspicious beginnings, departure and return from victory, as entrance and exit. One of the famous jani, Janus-Geminus was a shrine at the north side of the forum.

Temple_Janus_Autun_31640px-Autun_Temple_Janus_PA00113101_01_JPMJanus was depicted with two faces looking in opposite directions. Some believe Janus represents sun and moon. ‘Janus Geminus’ -Bifrons the two-faced Janus was replaced by -Quadrifrons the four-faced Janus, by emperor Domitian. The two-sided gates began to be four faced structures. Four forums were erected such as, Forum of Peace, Forum Transitorium, Forum of Julius Caesar, and Roman Forum.

17th_Century_Statue_of_Hanuman_and_Bhairav_(Hanu-Bhairav),_two_gods_in_One

576px-Karttikeya,_God_of_War,_Seated_on_a_Peacock

Four sided Buddha Head

A Typical Janus temple had a square room, a dual faced Janus statue or bust in the center, and two doors, (called Gates of war or peace) on opposite sides. The main street or forum side door (some claim both the doors) was kept open during war, so that he could easily intervene. The doors and gates were closed during peace. ‘The gates were closed to keep the War in’, or as stated exactly opposite by Ovid and Horace, ‘it is Peace that is kept inside the temple of Janus’. Symbolically Janus is represented by a Key.

Temple of Janus

Janus is remembered for the month of January. The fingers of Janus’ hands were placed in strange positions, which Pliny interpreted as an indication of the number 355, a reference to the number of days of the oldest Roman calendar. It is also suggested that origin of the name of the Italian city of Genoa is a derivation of Janus.

1024px-Roma23(js)

GateOfAugustus

Concept of Holy duality Multi plurality is common across many cultures and religions. The duality represents alter ego or two facets of beliefs. Duality occurs in physical forms with two facets like sides of the path, doors or contradicting positions like heaven-hell. Many Indian Gods have such double (Dvi-Mukha or Anga like dwarpal -the doorkeepers), triple (Tri-Mukha like Brahma and Dattatreya) or four-way forms (Chatur-Mukha).

ArdhNarishwer Half Shiv Half Parvati.