WEIGHTING or BODYING OF TEXTILES

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Fibres, yarns and fabrics have poor bulk, or have lost bulk during various treatments are re-bodied by many different substances. Bodying is also possible without any substantive coating. Certain heat and water treatments shrink the fabric, increasing the bulk.

Starched sized Neck Cloth

Weighting or bodying is a fabric finishing process that may be applied at fiber, yarn or fabric stage. Users oriented bodying processes mostly occur after the fabric production, at clothes stage. One of the oldest known weighting materials has been the size. Starch, gums and gelatine have been used to size fabrics for stiffness, glaze and adding weight. Wool, jute, linen and such coarse fiber fabrics do not require weighting. Fabrics of cotton and silk, in fresh state, and used (after some wear) state need bodying.

Anna Pavlova in Giselle, wearing a romantic Tutu

Classical bell tutus in The Dance Class by Edgar Degas, 1874

Traditional sizing treatments are temporary. Modern day chemicals such as modified starch, polyvinyl alcohol (PVA), carboxymethyl cellulose (CMC), and acrylic co-polymers provide long-lasting effect. Sizing of the warp yarn is required to reduce breakage of the yarn during weaving.

1890s wedding dress made from weighted silk. The splits and damage visible on the sleeve are caused by the weighting process of the fabric.

Raw silk contains from 25 to 30 % of its weight in sericin or gum. When the fiber is cleaned or fabrics are washed, this substance is removed. Silks are weighted to recoup the loss in fiber weight, and to add greater body to fabric. Silk has an affinity for several metallic salts, like iron, lead, and tin. The weight lost in the de-gumming process is refurbished by soaking the fibre or fabric in a bath of the metallic salts. For freshly woven silk fabric, it is first placed in an acid solution of stannic chloride (a chloride of tin). After the absorption of the substance, the fabric is washed, placed into a solution of sodium phosphate and washed. During this process, an insoluble compound (tin phosphate) is formed. This adds weight and body. Sometimes further treatment with sodium silicate is done. A silk can hold considerably more than its own weight, though heavy weighting reduces abrasion resistance, leading to greater wear and tear. Weavers and merchants, once added 10 times more weight, then the customary processing loss of 20 %. One simple way to check presence of chemical weighting compounds is to burn a piece of silk fabric, and it leaves behind a perceptible skeleton of metallic compound.

Laundry Starch

Cotton and other materials are sized for very temporary to permanent treatments. This may be in the form of starch, gelatin, or resin or a combination of these with lubricating substances such as oils or wax. Starches and gelatin are temporary sizes and are removed during laundering. Cheap cotton or rayon fabrics are often heavily starched for stiffness which after laundering may become quite limp. Fabrics like organdy are permanently stiffened Cottons.

Starch Weighted head scarf

Wool fabrics are not weighted, but compacted or fulled to give the fabric more compact or denser structure. Melton cloth is very heavily fulled wool fabric, with a dense -felt like texture.

Melton Wool

Silk Sizing

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SHEER FABRICS and CURTAINS

Post -by Gautam Shah

A sheer fabric is very thin material which make it very translucent. Sheer curtains are also known as privacy curtains. Sheer curtains have ‘good fall’ or very soft bearing.

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Some of the best sheer fabrics are of pure silk, but most of the commercial curtain materials are made of synthetic filament yarn (long length fibres) like organza, polyester, nylon, etc. Many of the lattices like airy or net-woven fabrics are so pliable, flimsy and semi-transparent that they behave like a sheer fabric curtain.

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A sheer fabric has a natural graceful fall and allows light to filter through. Sheer fabric curtains nominally form the first layer in multiple curtains system. Such curtains allow a fuzzy view during day-time, but at night may require an opaque topping of a curtain. Sheer fabric must not be used with a lining fabric to maintain its translucency.

Curtains Urban Hotel Bedroom City Condos Window

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Sheer fabric comes in a wide variety of colours, but white and natural shades of whites such as off-whites, cream, and ivory are popular. Sheer fabrics are also embellished and embroidered for patterns.  Such extra work, however, increases the weight of the fabric at the cost of graceful fall. Sheer fabrics are commonly heavily pleated and so the total quantity of cloth required for a sheer curtain is little more then a curtain of regular fabric. Sheer fabrics, due to their thin body and the lattice like weaves, offer very little insulation.

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Sheer effect is due to Diffraction of Light spreading out as a result of passing through a narrow aperture or across an edge. In case of curtain fabrics sheer effects are formed by latticed or net weaving. Similar effects occur due to the fuzzy transparency of materials like glass, acrylics, etc., and also due to the environmental conditions like rains, fog, sand storms, etc. Another remarkable sheer property for curtains occurs due to the pliable nature of fabric that adds to suppleness or fall.

Sudare screens

Sudare (簾 or すだれ) are privacy and illumination filtering screens. These are sometimes called Misu (御簾 or みす). The screen are featured in The Tale of Genji. Sudare have green fabric for hem. Sudare are made of slats of wood, bamboo, and other natural materials woven with threads. These are stiff but movable panels, or rolling-folding up screens of horizontal or vertical slats.

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